Yesteryear—Caro Claire Burke
Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.
Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and hand wash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
(From https://www.goodreads.com/book/show/238226942-yesteryear?ac=1&from_search=true&qid=nBuyNFDcBO&rank=1)
Motherclown—Harriet Alida Lye
In the wake of her father’s death, twenty-one-year-old Elise leaves her boyfriend, mother, and hometown of Niagara Falls to move to Paris. She's earned a place at Chevalier, an elite physical theatre school with a focus on clown. Not "clown-clown," but the pursuit of an inner child. At Chevalier, they don't follow scripts--they follow their souls. The school is merciless, and it is the best.
Left behind, Elise’s mother, Catherine, is unravelling. At first she feels irritated, as if she’s just been demoted: from wife to widow, mother to empty-nester. She longs for the creative life she lost when she became pregnant, and in the quiet of the empty house, she becomes haunted by regret, and a secret she never told her daughter. When Elise disappears into Paris, Catherine follows.
But Elise, awakening to her own creative power, feels ambushed by her mother’s arrival. As Paris works its spell on them both, old wounds surface and resentments ignite. Can Elise hear her mother without losing herself? Can Catherine face the real reason she followed her daughter to Paris, or is she there--as Elise believes--to swallow her daughter whole?
Theo of Golden—Allen Levi
One spring morning, a stranger arrives in the small southern city of Golden. No one knows where he has come from. Or why.
His name is Theo. And he asks a lot more questions than he answers.
Theo visits the local coffeehouse, where ninety-two pencil portraits hang on the walls, portraits of the people of Golden done by a local artist. He begins purchasing them, one at a time, and putting them back in the hands of their “rightful owners.” With each exchange, a story is told, a friendship born, and a life altered.
(From https://www.goodreads.com/en/book/show/242376245-theo-of-golden)
Mad Mabel—Sally Hepworth
Meet Elsie Mabel Fitzpatrick: eighty-one years old, gloriously grumpy, fiercely independent, and never without a hot cup of tea—or a cutting remark. She minds her own business in her quiet Melbourne suburb, until a neighbor turns up dead and the whispers start flying.
Because Elsie hasn’t always been Elsie. Once upon a headline, she was Mad Mabel Waller—Australia’s youngest convicted murderer. But was she really mad, or just misunderstood? Either way, she’s kept her secret buried for decades.
Enter seven-year-old Persephone, a relentless little chatterbox who has just moved in across the road (armed with stickers, questions, and no sense of personal boundaries); Joan, who appears to have it in for Elsie; and a healthy dose of public interest—the cops are sniffing around, and the media is circling like seagulls at a picnic.
So Mabel does what she’s always done best—she takes matters into her own hands.
Is she a cantankerous old lady with a shady past? A cold-blooded killer with arthritis? Or just someone who’s finally ready to tell her side of the story?
(From https://www.goodreads.com/en/book/show/231127044-mad-mabel)
Frankenstein—Mary Shelley
Obsessed with creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life with electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley near Byron's villa on Lake Geneva. It would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity.
(From https://www.goodreads.com/book/show/18490.Frankenstein)
As Long as the Lemon Trees Grow—Zoulfa Katouh
Salama Kassab was a pharmacy student when the cries for freedom broke out in Syria. She still had her parents and her big brother; she still had her home. She had a normal teenager’s life.
Now Salama volunteers at a hospital in Homs, helping the wounded who flood through the doors daily. Secretly, though, she is desperate to find a way out of her beloved country before her sister-in-law, Layla, gives birth. So desperate, that she has manifested a physical embodiment of her fear in the form of her imagined companion, Khawf, who haunts her every move in an effort to keep her safe.
But even with Khawf pressing her to leave, Salama is torn between her loyalty to her country and her conviction to survive. Salama must contend with bullets and bombs, military assaults, and her shifting sense of morality before she might finally breathe free. And when she crosses paths with the boy she was supposed to meet one fateful day, she starts to doubt her resolve in leaving home at all.
Soon, Salama must learn to see the events around her for what they truly are—not a war, but a revolution—and decide how she, too, will cry for Syria’s freedom.
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